Selected Works
Possibility Box
Solo Exhibition at Museum Lytke, Leipzig
Nov 2018 - Jan 2019
Words
spelled in
slug slime
left behind
little poem
They read
“can you hear the sound of an enormous door, slamming in the depths of hell?”
Shiny, on
red brick
You listen
for the sound
of an enormous door, slamming in the depths of hell
Something you weren’t listening for
before
Install View
Punks is Hippies
Oil pastel, watercolour & pencil crayon on bisque fired clay, wood glue, flowers, 2018
5 x 5 x 9cm
Install View
Heavy Metal Possibility
Bisque fired clay, oil pastel, watercolour, wood glue, grout, strip light & found materials, 2018
68 x 99 x 15cm
Punk Rock Possibility
Bisque fired clay, oil pastel, watercolour, wood glue, grout, strip light & found materials, 2018
62 x 109 x 15cm
Debris and Burst Bubbles
Bisque fired clay, oil pastel, watercolour & wood glue, 2018
16 x 17 x 16cm
Install View
A Possibility Emerges (with Blueberries)
Oil pastel, water colour & pencil crayon on bisque fired clay, 2018
22 x 33 x 2cm
Movement Towards or Away
Etching on carbon paper, tape, 2018
29 x 21cm
Image credit: Marian Luft
Sinkhole
Museum Gardens, London
Cowboy (Stuffed Toy Prototype)
Glazed ceramic, found fabric, cotton, oil pastel - 2018
You Must Give Your Mind to All the Faces, 2018 - Edition of 66 glazed ceramics in collaboration with
Claude Eigan & Alizee Lenox for their exhibition FEST at Motto Books, Berlin & La Placette, Lausanne
Beach Show - A group show curated by Nick Lynch, Barassie Beach, Troon, UK
Infinity Loop - Woven Rug, 2018
Haptic House at HORSEANDPONY, Berlin
A group show curated by Penny Rafferty
2018
Install View - Image by Florian Oellers
Calendar for the Year (2019, The Future)
Bisque fired clay, oil pastel, water colour, wood glue - 2018
Calendar for the Year (2017, The Past)
Bisque fired clay, oil pastel, water colour, wood glue - 2018
All Plod is Twat
Bisque fired clay, oil pastel, water colour, wood glue, found fabric, cotton - 2018
Image credit: Rocco Ruglio-Misurell
Sluice Biennale, London - 2017
Duo booth with Phil Frankland presented by MILK
Communal Centre Peace
Glazed ceramics, denim, silk screened patches, fountain pump - 2017
Hunter Gatherer Nomad Local
Denim, bleach, cotton, silk screened patches, chain, fixtures - 2017
Hoarder Collector Forager Locator
Denim, bleach, cotton, silk screened patches, chain, fixtures - 2017
Untitled (Candle Box #1)
Glazed ceramic, crayon, candles, fixtures - 2017
Fantasy Direct at Yongma Land Charm Space, Seoul, KOR
A LARP group show curated by Isa Magalhães
2017
All That's Solid Goes Down the Toilet
Xerox print, 2017
Dormant Parasite - CBS Gallery, Liverpool
A duo exhibition with Alfie Strong
2017
Install view
Sunflower
Unfired clay, spray paint, custom fixtures
2017
Pot Plant or House Plant
Unfired clay, water colours and pencil crayon, custom fixtures
2017
Chunky Mutant Organic Berries
Unfired clay, pencil crayon, custom fixtures
2017
Everything's a Ruin Waiting to Happen - Cactus Gallery, Liverpool
Solo
2016
All this countryside is actually just the agricultural industries.
On the road, field parcels.
On the road, road-kill.
There is the natural world and there is the human world. There are few places where humanity exists in harmony with nature.
What would a true connection to nature feel like? Or to the world?
Mother Earth?
There is another industry, one that produces the means of replicating natural phenomena.
Others alter the DNA of plants and animals and disrupt the natural order in the name of profitability.
Some mine minerals to make phones and computers, the first cyborg generation.
The result: there can no longer be a true and sustained connection to nature or other humans.
There is no natural world.
Imagine the planet before the built environment.
There are a lot of things worth keeping and there are a lot of things kept out of reach.
Private property created crime.
Who are the squatters? Rich kids who like punk rock?
Desperate people attempting the autonomous zone? Anarchists or Manarchists?
Or is it a contrived attempt by landlords avoiding rate payments?
There is no place to talk about authenticity.
Famous/ now obsolete.
After all of this, equality is no closer to being achieved. There are only little victories, token reforms.
Class, race, gender, privilege, could be a memory, not a battleground.
The human has yet to be invented.
Acknowledging your appearance, try to create peace and freedom.
Optimistic, futuristic egalitarianism.
How can you help, not help yourself?
“Oh, to live in the country, with the chickens and those other things…”
Whose fantasy is this?
It’s just another way to be packaged off into a house, isn’t it?
Homes and offices are the jail cells of the soul, or something…
The separation of all aspects of the spiritual and the physical, natural and human-made.
The destruction of empathy and love.
Yin and no Yang
Limits of experience.
Limits of intellect.
Limits of imagination.
Limits of utopia.
Limits of one body.
Limits of democracy.
Install view
Happy Little Guy
Glazed ceramic, custom fixtures
2016
Living Together as Friends, Living Together as Lovers
Glazed ceramic, custom fixtures
2016
Untitled (Blue Fountain)
Glazed ceramic, polythene, corner beading, cable ties, water pump, found bricks
2016
Untitled (Red Fountain)
Glazed ceramic, polythene, corner beading, cable ties, water pump, found bricks
2016
Stemming from the Market
Digital print on silk viscose velvet, chain
2016
There is no Austerity but Urself
Digitally printed chiffon mousseline, cotton, eyelets, fixtures
2016
Self Portrait at the Stage of Totalitarian Domination of All Aspects of Life
Digitally printed chiffon mousseline, cotton, eyelets, fixtures
2016
Join in Building a Tower - Nottingham Castle Museum & Gallery, Nottingham
An exhibition alongside A World to Win, Posters of Protest and Revolution from the V&A Archive
2015
Install view
Like Living in the Mind of a Depressed Hippie
Cast resin, clamps, plexiglass
2015
Little Friends (Detail)
Cast resin
2015
Little Friends
Cast resin
2015
Flower Demands "END HUMANITY, UTOPIA NOW!"
Digital print on chiffon mousseline
2015
No Need to Hunt, We Just Wait for the Roadkill - STORE, Dresden, DE
A group exhibition curated by Paul Barsch
2015
Install View
Destroy Everything
Digital print on silk-viscose velvet, handmade tassels, silk screened patches
2014
Hanging Out in Someone Else's Puddle
Silk screened patches
2015
The Angry Show - 55 Syndenham Rd, Sydney, Aus
A group exhibition curated by Rózsa Farkas
2014
Install view
The Last Crust Punk
Inkjet print, dreadlock, duct tape, ikea frame
2014